Published Articles
Boston Ballet’s “The Nutcracker” rings in the holiday season
Boston Ballet’s company and students exhibited a radiance only matched by the elaborate set and lively orchestra––it is no surprise that “The Nutcracker” is a timeless Christmas tradition.
Noah Kahan’s “Stick Season” is everywhere, everything
The prevalence of acoustic guitar in all fourteen tracks of the album gives it an around-the-campfire feel, while Kahan’s vocal maturity elevates the pieces to instant Alternative/Indie classics.
Experts say Warhol Supreme Court case threatens artistic creativity
The lawyers of the late Warhol argued that the quantity of alterations Warhol made to the original photograph, or degree of artistic license, makes it a separate work.
Immersive Klimt dazzles, but remains inaccessible to its “target audience”
“I love Klimt’s artwork, and the immersive exhibit looks incredible. It’s just too expensive.”
Lauren Weintraub encapsulates heartbreak with new single “Missing You”
“Missing You” is a triumph of original songwriting and the genre-bending nature of today’s most popular country.
Cuban sensation Daymé Arocena talks inspiration before headlining Berklee event
“I believe that it’s so beautiful to know how voices work together as a team,” said Arocena.
Destiny Palmer presents “To Bare Witness” in the Trustman Art Gallery
“I think there’s a really interesting documented history of Black folks in America, and so I’m really excited about working with that imagery and using it as truth,” said Palmer.
“Re-Assembling” and “Bound Together” showcase Simmons senior’s work
“I hope this is just the first of many collaborations [between the School of Social Work and the Trustman Gallery],” said Helen Popinchalk, Natarajan’s former art professor and curator of the gallery.
Taylor Swift’s evermore is a beautiful journey, but one that needs to come to a close
Swift has two live albums, five EPs, and eight studio albums. Over the last ten years, the quality of each album, both in writing and in musicality, has declined with every new release (with the exception of 1989). If Swift releases any more mediocre albums, like Reputation or Lover, we’ll have something of a Grey’s Anatomy situation on our hands.